tag:blogger.com,1999:blog-52822426287284266202024-03-19T19:16:44.120+01:00GLI AMICI DI TRACCE CAHIERS D'ARTFriends of Tracce Cahiers d'Art : Artists, Exhibitions, Museums. Gli Amici di Tracce Cahiers d'Art : Artisti, Mostre, Musei.
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.comBlogger26125tag:blogger.com,1999:blog-5282242628728426620.post-55492168354558508332019-10-13T23:22:00.000+02:002019-10-15T17:31:08.819+02:00"TOULOUSE-LAUTREC. Résolument moderne" al Grand Palais di Parigi • Due VIDEO sul Canale You Tube di Tracce Cahiers d'Art<div class="separator" style="clear: both; text-align: center;">
<a href="https://bit.ly/TRACCEyoutube" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh31quNFZ2_MHEdiVG1iq6QPtHKlmpDsrU9lLfr22LfEpkQG1i4AFWg8mli80e2aYkU5N8UMmr2w2WwizNA7XxrVy3keTIxCwEOnl4fnoELFC3_UUVbv-Ii92wo5Z6xblE0srAC0SAbD9Y/s650/toulouse-lautrec-resolument-moderne-expo-au-grand-palais-paris-video-on-tracce-cahiers-d-art-you-tube-channel.jpg" /></a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">"TOULOUSE-LAUTREC. Résolument moderne"</span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">L'esposizione al <a href="https://www.grandpalais.fr/fr/">Grand Palais</a> di Parigi, aperta fino al 27 Gennaio 2020.</span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Cari Amici, trovate due VIDEO dedicati alla mostra sul <a href="https://bit.ly/TRACCEyoutube">Canale You Tube di Tracce Cahiers d'Art</a> : <a href="https://bit.ly/TRACCEyoutube">https://bit.ly/TRACCEyoutube</a></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Riche de 225 œuvres, « Toulouse-Lautrec. Résolument moderne » vous invite à découvrir la force plastique et la liberté du regard de l’artiste. </span><span style="font-family: "arial" , "helvetica" , sans-serif;">Les commissaires Danièle Devynck et Stéphane Guéguan vous révèlent le parcours de l’exposition mettant à l’honneur la grande ambition d’Henri de Toulouse-Lautrec de montrer derrière le masque social la réalité de l’individu. </span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">« Toulouse-Lautrec. Résolument Moderne ». Du 9 octobre 2019 au 27 janvier 2020 au Grand Palais, Paris. </span><span style="font-family: "arial" , "helvetica" , sans-serif;">Exposition coproduite par les musées d’Orsay et de l’Orangerie et la Rmn - Grand Palais avec le soutien exceptionnel de la ville d’Albi et du musée Toulouse-Lautrec.</span></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif; text-align: left;">Grand Palais, Paris </span><a href="https://www.youtube.com/results?search_query=%23ExpoToulouseLautrec" style="font-family: Arial, Helvetica, sans-serif; text-align: left;">#ExpoToulouseLautrec</a></div>
<div style="text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></div>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-53321164796531995682019-09-28T23:18:00.000+02:002019-09-29T00:43:10.486+02:00GIAPPONISMO. VENTI D'ORIENTE NELL'ARTE EUROPEA 1860-1915. Mostra a Palazzo Roverella, Rovigo • The exhibition on JAPONISM at Palazzo Roverella ITALY. Till January 26, 2020<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjucz-kClrJYFfwDbDgWcSdCBJlCXcv4-VYjGP_CJ9P8RtJnkqcsFzvpv1PQf47aKAGfoOnjOu_twwk7hK57S0Bim0h4Sr6DHvvVyFSJ0JQSF0JFWOeuuVhqdOYe2BaKuaMK7Dyu4R2598/s1600/giapponismo-venti-d%2527oriente-nell-arte-europea-palazzo-roverella-rovigo-la-mostra-su-tracce-cahiers-d-art-rivista-d-arte-numero-31-autunno-2019-formato-digitale-ebook-edizioni-d-arte-felix-feneon.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1003" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjucz-kClrJYFfwDbDgWcSdCBJlCXcv4-VYjGP_CJ9P8RtJnkqcsFzvpv1PQf47aKAGfoOnjOu_twwk7hK57S0Bim0h4Sr6DHvvVyFSJ0JQSF0JFWOeuuVhqdOYe2BaKuaMK7Dyu4R2598/s1020/giapponismo-venti-d%2527oriente-nell-arte-europea-palazzo-roverella-rovigo-la-mostra-su-tracce-cahiers-d-art-rivista-d-arte-numero-31-autunno-2019-formato-digitale-ebook-edizioni-d-arte-felix-feneon.jpg" /></a></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Cari Amci di TRACCE CAHIERS D'ART Vi invitiamo a visitare la mostra: GIAPPONISMO. VENTI D'ORIENTE NELL'ARTE EUROPEA 1860-1915. Dal 28 Settembre 2019 al 26 Gennaio 2020 a <a href="http://www.palazzoroverella.com/">Palazzo Roverella</a>, Rovigo. L'esposizione è curata da Francesco Parisi</span>.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Sul <a href="https://edizionidartefelixfeneon.blogspot.com/p/tracce-cahiers-dart.html">N.31 Autunno 2019 di TRACCE CAHIERS D'ART</a> trovate alle pagine 8-20 un servizio, con tante opere esposte in mostra: </span><span style="font-family: "arial" , "helvetica" , sans-serif;">Anselmo Bucci <i>La giapponese (il Kimono)</i> 1919, Jules Chéret <i>Maîtres Japonais </i>1900 circa</span><span style="font-family: "arial" , "helvetica" , sans-serif;">, </span><span style="font-family: "arial" , "helvetica" , sans-serif;">Edgard Degas <i>Femme se coiffant </i>1894 circa</span><span style="font-family: "arial" , "helvetica" , sans-serif;">, </span><span style="font-family: "arial" , "helvetica" , sans-serif;">Giuseppe De Nittis <i>Fra i paraventi,</i></span><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><span style="font-family: "arial" , "helvetica" , sans-serif;">Paul Gauguin <i>Fête Gloanec </i>1888</span><span style="font-family: "arial" , "helvetica" , sans-serif;">, </span><span style="font-family: "arial" , "helvetica" , sans-serif;">Utagawa Hiroshige <i>Trentasei celebri vedute del Fuji, Cinquantatrè stazioni del Tokaido</i></span><span style="font-family: "arial" , "helvetica" , sans-serif;">, </span><span style="font-family: "arial" , "helvetica" , sans-serif;">Claude Monet <i>Passerella a Zaandam </i>1871</span><span style="font-family: "arial" , "helvetica" , sans-serif;">, </span><span style="font-family: "arial" , "helvetica" , sans-serif;">Carl Moser <i>Pavone con quattro ciliegie </i>1929</span><span style="font-family: "arial" , "helvetica" , sans-serif;">, </span><span style="font-family: "arial" , "helvetica" , sans-serif;">Kolo Moser <i>Albero in fiore </i>1911</span>, <span style="font-family: "arial" , "helvetica" , sans-serif;">Emil Orlik <i>Paesaggio con il monte Fuji </i>1908, Rudolf Schlattauer, <i>Paravento </i>1910, Henri de Toulouse-Lautrec <i>Reine de Joie </i>1892. </span><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /><br />Scrive Beniamino Vizzini nell'editoriale della Rivista: "...Sotto l’influsso della tecnica giapponese dell’<i>Ukiyo-e</i> anche l’arte europea, abbandonando la razionalità prospettica, finirà per riprodurre l’immagine moderna del mondo come “immagine del mondo fluttuante” o, di un mondo composto solo di luce e colore".<br /><br />⚫️ENGLISH</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">On <a href="https://payhip.com/b/kphs">TRACCE CAHIERS D'ART art magazine N.31 Autumne 2019</a> we published many pages on: JAPONISM. WINDS OF THE EAST IN EUROPEAN ART 1860-1915. The exhibition at <a href="http://www.palazzoroverella.com/">Palazzo Roverella</a> in Rovigo - ITALY. From September 28, 2019 to January 26, 2020.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>
<span style="font-family: "arial" , "helvetica" , sans-serif;">The Japanese fashion, which exploded around 1860 was destined to last at least fifty years, first involving the rich international bourgeoisie, but above all two entire generations of artists, writers, musicians and architects, finding more and more force with the grafting of the emerging liberty culture and modernist increasingly attentive to the decorative and rigorous values of Japanese art.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>
<span style="font-family: "arial" , "helvetica" , sans-serif;">A powerful wind of renewal, if not really a hurricane, that from the East invested models, habits stratified over the centuries, leading the art of the old continent towards new and more essential compositive norms made of synthesis and luminous colors. The cut chosen to describe this effervescent page of European and world art history is decidedly original, mapping, for the first time, the Japanese tendencies of Europe in the nineteenth and twentieth centuries: from Germany to Holland to Belgium, from France to Austria, in Bohemia, up to Italy.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>
<span style="font-family: "arial" , "helvetica" , sans-serif;">Greetings</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">Marianna Montaruli and Beniamino Vizzini - Edizioni d'arte Fénéon ITALY</span><br />
<br /></div>
<style type="text/css">
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 32.0px Helvetica}
</style>LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-31834818248086815472019-07-04T17:33:00.000+02:002019-07-05T19:41:21.610+02:00BERTHE MORISOT (1841-1895) al Musée d'Orsay di Parigi. La conferenza inaugurale di Sylvie Patry, curatrice della mostra e la cartolina postale degli AMICI DI TRACCE CAHIERS D'ART<div class="fb-like" data-action="like" data-href="https://gliamiciditracce.blogspot.com/2019/07/berthe-morisot-1841-1895-al-musee.html" data-layout="button_count" data-share="true" data-show-faces="true" data-size="large" data-width="">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGcGDoOiqJ3lq8OqIyOfm2KWXp7ODAYUtoJRodRdkbAMD15X3XDBx5bsxGq2nMrhXISHA58WQFuED94KLlsenCitICC95NcTCVyHoIdrvLURcmf-EQ70hQOvFGgfvtgHRpz7RJtRjUNcc/s1600/berthe-morisot-exposition-au-musee-d-orsay-2019-sur-gli-amici-di-tracce-cahiers-d-art-revue-d-art.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1003" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGcGDoOiqJ3lq8OqIyOfm2KWXp7ODAYUtoJRodRdkbAMD15X3XDBx5bsxGq2nMrhXISHA58WQFuED94KLlsenCitICC95NcTCVyHoIdrvLURcmf-EQ70hQOvFGgfvtgHRpz7RJtRjUNcc/s1020/berthe-morisot-exposition-au-musee-d-orsay-2019-sur-gli-amici-di-tracce-cahiers-d-art-revue-d-art.jpg" /></a></div>
<br />
<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="360" src="https://www.youtube.com/embed/Kw9v2Lps0FA" width="640"></iframe><br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr_BX5281zdSLCl5cuMvweJd0YXE5XwfYBQYBxsLXL2V3pU6JOEgKIHED579YzKoO6Nx34K_OOSJsgbpNPJy9FIE5jco9hgXM43W3yAT_mPEO1DSL80ooUiJugjo_9tJqp45RH9kP1j-c/s1600/berthe-morisot-musee-d-orsay-paris-18-juin-22-septembre-2019-tracce-cahiers-d-art-carte-postale.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="398" data-original-width="559" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr_BX5281zdSLCl5cuMvweJd0YXE5XwfYBQYBxsLXL2V3pU6JOEgKIHED579YzKoO6Nx34K_OOSJsgbpNPJy9FIE5jco9hgXM43W3yAT_mPEO1DSL80ooUiJugjo_9tJqp45RH9kP1j-c/s1600/berthe-morisot-musee-d-orsay-paris-18-juin-22-septembre-2019-tracce-cahiers-d-art-carte-postale.png" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br />
Cartolina - postcard - carte postale<br />
<br /></td></tr>
</tbody></table>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Cartolina per GLI AMICI DI TRACCE CAHIERS D'ART : stampate e inviate questa cartolina postale ai Vostri Amici per invitarli a visitare la mostra BERTHE MORISOT al </span><a href="https://www.musee-orsay.fr/" style="font-family: Arial, Helvetica, sans-serif;">Musée d'Orsay</a><span style="font-family: "arial" , "helvetica" , sans-serif;"> di Parigi, che rimarrà aperta tutta l'Estate, fino al 22 Settembre 2019. </span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Imprimez et envoyez cette carte postale à Vos Amis des Arts pour les inviter à visiter l'exposition: BERTHE MORISOT au <a href="https://www.musee-orsay.fr/">Musée d'Orsay, Paris</a> 18 juin - 22 septembre 2019. </span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Figure majeure de l'impressionnisme, Berthe Morisot, reste aujourd'hui moins connue que ses amis Monet, Degas ou Renoir. Elle avait pourtant été immédiatement reconnue comme l'une des artistes les plus novatrices du groupe. L'exposition retrace le parcours exceptionnel d'une peintre, qui, à rebours des usages de son temps et de son milieu, devient une figure essentielle des avant-gardes parisiennes de la fin des années 1860 jusqu'à sa mort prématurée en 1895.</span></div>
<br />
<div id="fb-root">
</div>
<script async="" crossorigin="anonymous" defer="" src="https://connect.facebook.net/it_IT/sdk.js#xfbml=1&version=v3.3"></script>LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-20318442155204844732019-05-20T21:24:00.000+02:002019-05-21T23:25:37.864+02:00NANNI BALESTRINI ci ha lasciato. Luglio 1935 - Maggio 2019 Remenbering the poet Nanni Balestrini. July 1935 - May 2019<div class="fb-like" data-action="like" data-href="https://gliamiciditracce.blogspot.com/2019/05/nanni-balestrini-ci-ha-lasciato-luglio.html" data-layout="button_count" data-share="true" data-show-faces="true" data-size="large" data-width="">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi54QtfKRgZcM_u6chxzPBEvmwg65hMk6beZxq2a2QR4GcSRpwjhM3pb5p_hL5orLDu9u_w1AAifE26zFE1_X214lh7GlDvOEFLIis7Sx6tK4b4HhkN65T2EO6a_u_DMe2N_KCLv4NTBBU/s1600/nanni-balestrini-rubens-come-s-impara-i-maestri-de-colore-2013-stampa-su-tela-galleria-af-bologna-tracce-cahiers-d-art-rivista-d-arte.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1003" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi54QtfKRgZcM_u6chxzPBEvmwg65hMk6beZxq2a2QR4GcSRpwjhM3pb5p_hL5orLDu9u_w1AAifE26zFE1_X214lh7GlDvOEFLIis7Sx6tK4b4HhkN65T2EO6a_u_DMe2N_KCLv4NTBBU/s1020/nanni-balestrini-rubens-come-s-impara-i-maestri-de-colore-2013-stampa-su-tela-galleria-af-bologna-tracce-cahiers-d-art-rivista-d-arte.jpg" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;">Vogliamo ricordare il poeta Nanni Balestrini che ci ha lasciato il 20 Maggio 2019 con questa sua opera realizzata nel 2013 "Rubens - Come s'impara (I maestri del colore)" ed esposta di recente in mostra alla Galleria AF di Bologna tra gennaio e marzo di quest'anno.</span><br />
<div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></div>
<div>
<span style="font-family: "arial" , "helvetica" , sans-serif;">We want to remember the poet Nanni Balestrini who left us on May 20, 2019 with this artwork created in 2013, titled "Rubens - As one learns (The masters of color)" and recently exhibited at the AF Gallery in Bologna, between January and March of this year.</span><br />
<div>
<br /></div>
</div>
<div id="fb-root">
</div>
<script async="" crossorigin="anonymous" defer="" src="https://connect.facebook.net/it_IT/sdk.js#xfbml=1&version=v3.3"></script>LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-47907189033680039522019-05-13T15:00:00.000+02:002019-05-14T02:27:02.206+02:00MARGUERITE SÉRUSIER la seule femme de l' Expo Nabis au Musée du Luxembourg, Paris #MuseumWeek #WomeninCulture <div class="fb-like" data-action="like" data-href="https://gliamiciditracce.blogspot.com/2019/05/marguerite-serusier-la-seule-femme-de-l.html" data-layout="button_count" data-share="true" data-show-faces="true" data-size="large" data-width="">
</div>
<blockquote class="twitter-tweet">
<div dir="ltr" lang="fr">
Brodeuse et couturière de talent, Marguerite Sérusier est également peintre, créatrice de décors de théâtre et de grandes décorations murales. Venez admirer le sublime paravent de la seule femme de l'<a href="https://twitter.com/hashtag/ExpoNabis?src=hash&ref_src=twsrc%5Etfw">#ExpoNabis</a> ! <a href="https://t.co/bpK22CLD42">https://t.co/bpK22CLD42</a> <a href="https://twitter.com/hashtag/WomenInCulture?src=hash&ref_src=twsrc%5Etfw">#WomenInCulture</a> <a href="https://twitter.com/hashtag/MuseumWeek?src=hash&ref_src=twsrc%5Etfw">#MuseumWeek</a> <a href="https://t.co/dejhFArEPK">pic.twitter.com/dejhFArEPK</a></div>
— Musée du Luxembourg (@museeluxembourg) <a href="https://twitter.com/museeluxembourg/status/1127913095802818560?ref_src=twsrc%5Etfw">May 13, 2019</a></blockquote>
<div style="text-align: justify;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgdndifrlca-WK4J4nWZ7dhvf-E25IcJR07h-9Lx_hCwuIC4kdLKhZ0CzC7QrxFxYSKG_xkv20uec9D5SJolzd9CTNr3xjsF6xi5n8ayGpdp0faaoWZWtGMaTpqlMj-ZgwVaoIDzBJrdM/s1600/marguerite-serusier-seule-femme-de-l-%2523exponabis-au-musee-du-luxembourg-paris-2019-sur-gli-amici-di-tracce-cahiers-d-art-rivista-d-arte.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="512" data-original-width="1024" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgdndifrlca-WK4J4nWZ7dhvf-E25IcJR07h-9Lx_hCwuIC4kdLKhZ0CzC7QrxFxYSKG_xkv20uec9D5SJolzd9CTNr3xjsF6xi5n8ayGpdp0faaoWZWtGMaTpqlMj-ZgwVaoIDzBJrdM/s640/marguerite-serusier-seule-femme-de-l-%2523exponabis-au-musee-du-luxembourg-paris-2019-sur-gli-amici-di-tracce-cahiers-d-art-rivista-d-arte.jpg" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;">Ricamatrice e sarta di talento, MARGUERITE SÉRUSIER è stata anche pittrice, creatrice di scenografie e grandi decorazioni murali. Venite ad ammirare il sublime paravento dell'unica donna della mostra LES NABIS ET LE DÉCOR al Musée du Luxembourg di Parigi. Fino al 30 Giugno </span><a href="https://twitter.com/hashtag/ExpoNabis?src=hashtag_click" style="font-family: Arial, Helvetica, sans-serif;">#ExpoNabis</a> <span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="http://bit.ly/ExpoNabis">bit.ly/ExpoNabis</a></span><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><a href="https://twitter.com/hashtag/WomenInCulture?src=hashtag_click" style="font-family: Arial, Helvetica, sans-serif;">#WomenInCulture</a> <a href="https://twitter.com/hashtag/MuseumWeek?src=hashtag_click" style="font-family: Arial, Helvetica, sans-serif;">#MuseumWeek</a> </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">MUSEUM WEEK, May 13 - 19, 2019</span></div>
<div style="text-align: justify;">
<a href="https://twitter.com/hashtag/MuseumWeek?src=hash&ref_src=twsrc%5Etfw">#MuseumWeek</a> est officiellement ouverte! 7 jours, 7 thèmes, 7 hashtags et une cause <a href="https://twitter.com/hashtag/WomeninCulture?src=hash&ref_src=twsrc%5Etfw">#WomeninCulture</a>! Galeries, Bibliothèques, Archives et Musées célèbrent l'art, l'histoire, la science et la musique! Le 13 mai est consacré à <a href="https://twitter.com/hashtag/WomenInCulture?src=hash&ref_src=twsrc%5Etfw">#WomenInCulture</a> <a href="https://t.co/sofhYXvenb">pic.twitter.com/sofhYXvenb</a></div>
<blockquote class="twitter-tweet">
— MuseumWeek (@MuseumWeek) <a href="https://twitter.com/MuseumWeek/status/1127821528865869824?ref_src=twsrc%5Etfw">May 13, 2019</a></blockquote>
<script async="" charset="utf-8" src="https://platform.twitter.com/widgets.js"></script>
<br />
<div id="fb-root">
</div>
<script async="" crossorigin="anonymous" defer="" src="https://connect.facebook.net/it_IT/sdk.js#xfbml=1&version=v3.3"></script>LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-91656912669911084032019-05-08T00:23:00.000+02:002019-05-08T01:34:03.146+02:00SALLARD, La Nuit de Mai, 2019 • Un pastello di SALLARD dal titolo "La Notte di Maggio" • A pastel by the French artist Sallard<div class="fb-like" data-action="like" data-href="https://gliamiciditracce.blogspot.com/2019/05/sallard-la-nuit-de-mai-2019-un-pastello.html" data-layout="button_count" data-share="true" data-show-faces="true" data-size="large" data-width="">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzLQukKze4aDe68UsnQHnRsUeoUPZXQU6mvphLiQxrYbN7oYNWRdO_DhSLw2hzcM7BIB-8W4XQCcvvjx1X17Qvupoxfp-zW8NmPk4uyawHpG66qRI46Pam52zEWp6FlpnTeAjwRlbtD8Y/s1600/sallard-la-nuit-de-mai-2019-pastel-sec-dry-pastel-published-on-friends-of-tracce-cahiers-d-art-art-magazine.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1003" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzLQukKze4aDe68UsnQHnRsUeoUPZXQU6mvphLiQxrYbN7oYNWRdO_DhSLw2hzcM7BIB-8W4XQCcvvjx1X17Qvupoxfp-zW8NmPk4uyawHpG66qRI46Pam52zEWp6FlpnTeAjwRlbtD8Y/s1020/sallard-la-nuit-de-mai-2019-pastel-sec-dry-pastel-published-on-friends-of-tracce-cahiers-d-art-art-magazine.jpg" /></a></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">L'artista francese Bertrand SALLARD ama realizzare delle raffinate opere con la tecnica del pastello. Dalla sua ampia produzione, abbiamo scelto "La Nuit de Mai", che l'artista ha realizzato di recente quest'anno. Seguiamo da tempo, su twitter, il lavoro di SALLARD e vogliamo farlo meglio conoscere agli Amici della Rivista Tracce Cahiers d'Art.</span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">SALLARD è su twitter <a href="https://twitter.com/b_sallard">@b_sallard</a> e il suo sito è <a href="http://www.sallard.eu/">www.sallard.eu</a></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">• The French artist Bertrand SALLARD loves to create refined artworks using the pastel technique. From his production, we have chosen "Night of May", created this year. We follow SALLARD on twitter and we want to make his artworks better known to the Friends of Tracce Cahiers d'Art.</span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">SALLARD is on twitter </span><a href="https://twitter.com/b_sallard" style="font-family: Arial, Helvetica, sans-serif;">@b_sallard</a><span style="font-family: "arial" , "helvetica" , sans-serif;"> and his website is </span><a href="http://www.sallard.eu/" style="font-family: Arial, Helvetica, sans-serif;">www.sallard.eu</a></div>
<br />
<div id="fb-root">
</div>
<script async="" crossorigin="anonymous" defer="" src="https://connect.facebook.net/it_IT/sdk.js#xfbml=1&version=v3.3"></script>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-44418873244238665492019-04-23T01:45:00.001+02:002019-04-27T00:30:04.123+02:00Joan Miró: Birth of the World, The Museum of Modern Art, New York. Till June 15, 2019 • Miró al MoMA fino al 15 Giugno 2019<div class="fb-like" data-href="https://gliamiciditracce.blogspot.com/2019/04/joan-miro-birth-of-world-museum-of.html" data-width="" data-layout="button_count" data-action="like" data-size="large" data-show-faces="true" data-share="true"></div>
<blockquote class="twitter-tweet" data-lang="it">
<div dir="ltr" lang="en">
<a href="https://twitter.com/hashtag/JoanMir%C3%B3?src=hash&ref_src=twsrc%5Etfw">#JoanMiró</a> began this collage work by nailing a hefty bundle of rope to a cardboard support. “Rope and People, I” may nod to the deep political unease that marked this period in Spain and that would soon break into civil war. Now on view: <a href="https://t.co/LCr0bEKUoC">https://t.co/LCr0bEKUoC</a> <a href="https://t.co/QcmVAhoKZF">pic.twitter.com/QcmVAhoKZF</a></div>
— MoMA, The Museum of Modern Art (@MuseumModernArt) <a href="https://twitter.com/MuseumModernArt/status/1120356852242505728?ref_src=twsrc%5Etfw">22 aprile 2019</a></blockquote>
<br />
<div style="text-align: justify;">
<div class="separator" style="clear: both; text-align: center;">
</div>
<div style="text-align: justify;">
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO5Mtb4NbbdvwwdKNhd6YffA1_qZiUtsU8XuWprtUFWvpaWr9s8Q8LvkrFmWShJpmH-wSq20yB3jddQLMxHVWw-H5HOpdCDItTqfjKa1chpOFFKRa53OgS_fSRn0Sm5zMEkUhPHZHlhkg/s1600/joan-miro-birth-of-the-world-exhibition-at-moma-new-york-article-on-gli-amici-di-tracce-cahiers-d-art-rivista-d-arte-marianna-montaruli-2019.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="512" data-original-width="1024" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO5Mtb4NbbdvwwdKNhd6YffA1_qZiUtsU8XuWprtUFWvpaWr9s8Q8LvkrFmWShJpmH-wSq20yB3jddQLMxHVWw-H5HOpdCDItTqfjKa1chpOFFKRa53OgS_fSRn0Sm5zMEkUhPHZHlhkg/s438/joan-miro-birth-of-the-world-exhibition-at-moma-new-york-article-on-gli-amici-di-tracce-cahiers-d-art-rivista-d-arte-marianna-montaruli-2019.jpg" /></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;">Tutte le opere di Joan Miró in mostra al MoMA. Per visionarle, scorrere la finestra, in basso. Per aprire a pieno schermo, cliccare sull'icona </span><a href="https://drive.google.com/file/d/1BjLDDw3ukzooOyWeK8yhOQLez5GUVoEa/view?usp=sharing" style="font-family: arial, helvetica, sans-serif;">↗️</a></div>
<br /></div>
<iframe height="720" src="https://drive.google.com/file/d/1BjLDDw3ukzooOyWeK8yhOQLez5GUVoEa/preview" width="650"></iframe>
<div id="fb-root"></div>
<script async defer crossorigin="anonymous" src="https://connect.facebook.net/it_IT/sdk.js#xfbml=1&version=v3.2"></script>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-56281304837130251962019-04-15T01:51:00.002+02:002019-04-15T01:51:25.072+02:00TINA MODOTTI. Fotografa e rivoluzionaria. Sale espositive di Palazzo Bisaccioni, JESI • 12 Aprile - 1 Settembre 2019 <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7txDBdZBKAvhEsLS03-_Wk8jMDFb0gy_4zaNNKFkagl_wDWYGTn-qG138xPsfGS3sV2DqfJkXktkk-jXMJ09C5YDTqFYnNVt9JowVxhI1HCLkNui64UIjM6fe69O0x1cUTVgpcCJO1S4/s1600/tina-modotti-fotografa-e-rivoluzionaria-iesi-palazzo-bisaccioni-2019-pubblicato-su-gli-amici-di-tracce-cahiers-d-art-a-cura-di-marianna-montaruli-e-beniamino-vizzini.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1068" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7txDBdZBKAvhEsLS03-_Wk8jMDFb0gy_4zaNNKFkagl_wDWYGTn-qG138xPsfGS3sV2DqfJkXktkk-jXMJ09C5YDTqFYnNVt9JowVxhI1HCLkNui64UIjM6fe69O0x1cUTVgpcCJO1S4/s960/tina-modotti-fotografa-e-rivoluzionaria-iesi-palazzo-bisaccioni-2019-pubblicato-su-gli-amici-di-tracce-cahiers-d-art-a-cura-di-marianna-montaruli-e-beniamino-vizzini.jpeg" /></a></div>
<br />
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">TINA MODOTTI. FOTOGRAFA E RIVOLUZIONARIA : </span><span style="font-family: "arial" , "helvetica" , sans-serif;">Jesi, Fondazione Cassa di Risparmio • </span><span style="font-family: "arial" , "helvetica" , sans-serif;">Piazza Colocci, 4 • Sale espositive di Palazzo Bisaccioni • 12 Aprile - </span><span style="font-family: "arial" , "helvetica" , sans-serif;">1 Settembre 2019 • Tutti i giorni (escluso 15.08.2019) • Progetto espositivo di Francesca Macera, a cura di Reinhard Schultz. La mostra è composta da 60 fotografie provenienti dalla Galerie Bilderwelt di Berlino. <a href="http://www.comune.jesi.an.it/opencms/export/jesiit/sito-JesiItaliano/Contenuti/Eventi/2019/visualizza_asset.html_1101177243.html">MORE INFO</a> </span></div>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-78125453957855701302019-04-13T20:52:00.000+02:002019-04-13T20:54:04.217+02:00Conoscete l'antica Arte del "Commesso" di Pietre Dure? detta anche Mosaico Fiorentino? Sul N.30 di Tracce Cahiers d'Art, Primavera 2019 potete trovare le opere e gli artisti del Museo dell'Opificio delle Pietre Dure di Firenze • Italiano English<blockquote class="twitter-tweet" data-lang="it">
<div dir="ltr" lang="it">
L'Arte del Commesso di Pietre Dure o del Mosaico Fiorentino<br />sul Nuovo N.30 di Tracce Cahiers d'Art<br />▶️ <a href="https://t.co/Hw9HVEwP43">https://t.co/Hw9HVEwP43</a><br />nella foto: Veduta di colline toscane, 1608<br />commesso di pietre dure<br />Firenze, Museo dell’Opificio delle Pietre Dure<a href="https://twitter.com/NicolodiDaria?ref_src=twsrc%5Etfw">@NicolodiDaria</a> <a href="https://t.co/NTlx4LBoPy">pic.twitter.com/NTlx4LBoPy</a></div>
— TRACCE CAHIERS D'ART (@MailTracce) <a href="https://twitter.com/MailTracce/status/1116117634267918336?ref_src=twsrc%5Etfw">10 aprile 2019</a></blockquote>
<script async="" charset="utf-8" src="https://platform.twitter.com/widgets.js"></script>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-70702897679707532402019-04-09T00:55:00.001+02:002019-04-09T00:57:50.835+02:00Tracce Cahiers d'Art : TUTTI GLI ARTISTI PUBBLICATI sul n. 30 - Primavera 2019 della rivista • All the Artists published on the new issue 30 - Spring 2019 of the art magazine<div class="separator" style="clear: both; text-align: center;">
<a href="https://edizionidartefelixfeneon.blogspot.com/2019/04/tracce-cahiers-dart-rivista-darte-ebook.html" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM5-a87OD769xneFrd91pQopHNCNfWYhx-I58B1LaXXwKI4iO6GVhohD-TEmUz_SGKLqFSExD7bvP9qtQ_V_7hJiCGwPEcr9-z7wdTFF1-9wJE9TXdComdd6RWqerqrYCI0hoE7yCHHsc/s640/tracce-cahiers-d-art-numero-30-2019-rivista-d-arte-in-formato-digitale-ebook-pdf-a-cura-di-marianna-montaruli-e-beniamino-vizzini-edizioni-d-arte-felix-feneon-italiano-english.jpg" /></a></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">TUTTI GLI ARTISTI PUBBLICATI sul n. 30 - Primavera 2019 della rivista Tracce Cahiers d'Art...<a href="https://edizionidartefelixfeneon.blogspot.com/2019/04/tracce-cahiers-dart-rivista-darte-ebook.html">Continua a leggere</a></span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">All the Artists published on the new issue 30 - Spring 2019 of Tracce chairs d'Art art magazine...<a href="https://edizionidartefelixfeneon.blogspot.com/2019/04/tracce-cahiers-dart-rivista-darte-ebook.html">Continue reading</a></span></div>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.comtag:blogger.com,1999:blog-5282242628728426620.post-39946289736283656732019-04-06T20:38:00.001+02:002019-04-06T20:38:36.225+02:00À Paris l'expo Talisman de PAUL SÉRUSIER au Musée d'Orsay • Le Talisman. La révolte poétique du paysage au "bois d'amour", rédigée en Italien / Anglais par le prof. Beniamino Vizzini<blockquote class="twitter-tweet" data-lang="it">
<div dir="ltr" lang="fr">
Demain, comme chaque premier dimanche du mois le musée d'Orsay est <a href="https://twitter.com/hashtag/gratuit?src=hash&ref_src=twsrc%5Etfw">#gratuit</a> pour tous.<br />Profitez de l'entrée libre dans les collections permanentes, mais également pour la visite des expositions <a href="https://twitter.com/hashtag/ModeleNoir?src=hash&ref_src=twsrc%5Etfw">#ModeleNoir</a> et <a href="https://twitter.com/hashtag/ExpoTalisman?src=hash&ref_src=twsrc%5Etfw">#ExpoTalisman</a>. <a href="https://t.co/BKs9qkFRNN">pic.twitter.com/BKs9qkFRNN</a></div>
— Musée d'Orsay (@MuseeOrsay) <a href="https://twitter.com/MuseeOrsay/status/1114558382994853894?ref_src=twsrc%5Etfw">6 aprile 2019</a></blockquote>
<script async="" charset="utf-8" src="https://platform.twitter.com/widgets.js"></script>
<br />
<blockquote class="twitter-tweet" data-lang="it">
<div dir="ltr" lang="it">
<a href="https://twitter.com/hashtag/ExpoTALISMAN?src=hash&ref_src=twsrc%5Etfw">#ExpoTALISMAN</a> au <a href="https://twitter.com/MuseeOrsay?ref_src=twsrc%5Etfw">@MuseeOrsay</a><br />Beniamino Vizzini: PAUL SÉRUSIER. IL Talismano. La rivolta poetica del paesaggio al "bois d'amour", written in Italian / English by prof. Beniamino Vizzini <a href="https://t.co/4mPlHx9ciE">https://t.co/4mPlHx9ciE</a></div>
— TRACCE CAHIERS D'ART (@MailTracce) <a href="https://twitter.com/MailTracce/status/1114590166440718336?ref_src=twsrc%5Etfw">6 aprile 2019</a></blockquote>
<script async="" charset="utf-8" src="https://platform.twitter.com/widgets.js"></script>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-67563118392480130342019-04-05T18:14:00.000+02:002019-04-05T18:14:42.909+02:00From Daria Nicolodi. Delicious Florentine Views. FIRENZE Via Benedetto da Majano. Foto A. Cecchetti<blockquote class="twitter-tweet" data-lang="it">
<div dir="ltr" lang="it">
Firenze<br />Via Benedetto da Majano<br />Foto A.Cecchetti <a href="https://t.co/nwF6wU6wYS">pic.twitter.com/nwF6wU6wYS</a></div>
— Daria Nicolodi (@NicolodiDaria) <a href="https://twitter.com/NicolodiDaria/status/1114157376020582402?ref_src=twsrc%5Etfw">5 aprile 2019</a></blockquote>
<br />
<div style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;">DARIA NICOLODI : Deliziosi scorci fiorentini</span></div>
<script async="" charset="utf-8" src="https://platform.twitter.com/widgets.js"></script>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-9915704548341354912019-04-01T01:02:00.001+02:002019-04-01T01:02:44.174+02:00 LETIZIA BATTAGLIA. FOTOGRAFIA COME SCELTA DI VITA. Mostra antologica alla Casa dei Tre Oci di Venezia<blockquote class="twitter-tweet" data-lang="it">
<div dir="ltr" lang="it">
20 marzo - 18 agosto 2019 alla Casa dei Tre Oci di Venezia<br />LETIZIA BATTAGLIA. FOTOGRAFIA COME SCELTA DI VITA <a href="https://t.co/5pvh8ZKk9J">https://t.co/5pvh8ZKk9J</a><a href="https://twitter.com/ClpMilano?ref_src=twsrc%5Etfw">@ClpMilano</a> <a href="https://twitter.com/anninacats?ref_src=twsrc%5Etfw">@anninacats</a> <a href="https://twitter.com/CasadeiTreOci?ref_src=twsrc%5Etfw">@CasadeiTreOci</a><br />Nella foto: Il Tempio di Segesta, 1986 © Letizia Battaglia <a href="https://t.co/7IdQLq7xeQ">pic.twitter.com/7IdQLq7xeQ</a></div>
— TRACCE CAHIERS D'ART (@MailTracce) <a href="https://twitter.com/MailTracce/status/1112478184220606465?ref_src=twsrc%5Etfw">31 marzo 2019</a></blockquote>
<div style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;">Dal 20 marzo al 18 agosto 2019, la Casa dei Tre Oci di Venezia <a href="http://www.treoci.org/">www.treoci.org</a> inaugura una grande antologica di Letizia Battaglia (Palermo, 1935), una delle protagoniste più significative della fotografia italiana, che ne ripercorre l’intera carriera.</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;">La mostra, curata da Francesca Alfano Miglietti, organizzata da Civita Tre Venezie, promossa da Fondazione di Venezia con la partecipazione di Tendercapital, presenta 300 fotografie, molte delle quali inedite.</span></div>
<div style="text-align: justify;">
<br /></div>
<script async="" charset="utf-8" src="https://platform.twitter.com/widgets.js"></script>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-52225192679024113312019-03-30T02:11:00.001+01:002019-03-30T02:11:39.561+01:00PIERRE BONNARD en noir et en couleur au Musée Bonnard • Affiche pour la Revue blanche e L' Île heureuse sur Tracce Cahiers d'Art n.18<blockquote class="twitter-tweet" data-lang="it">
<div dir="ltr" lang="fr">
Dimanche à 15h on suit la visite guidée de l'<a href="https://twitter.com/hashtag/expo?src=hash&ref_src=twsrc%5Etfw">#expo</a> ‘Bonnard en noir et en couleur’ augmentée des <a href="https://twitter.com/hashtag/agendas?src=hash&ref_src=twsrc%5Etfw">#agendas</a> de <a href="https://twitter.com/hashtag/Bonnard?src=hash&ref_src=twsrc%5Etfw">#Bonnard</a> puis c'est <a href="https://twitter.com/hashtag/teatime?src=hash&ref_src=twsrc%5Etfw">#teatime</a><br />
<br />
Bon <a href="https://twitter.com/hashtag/dimanche?src=hash&ref_src=twsrc%5Etfw">#dimanche</a> avec nous👍 <a href="https://t.co/mwmbmHxV97">pic.twitter.com/mwmbmHxV97</a></div>
— Musée Bonnard (@MuseeBonnard) <a href="https://twitter.com/MuseeBonnard/status/1111689689587687425?ref_src=twsrc%5Etfw">29 marzo 2019</a></blockquote>
<script async="" charset="utf-8" src="https://platform.twitter.com/widgets.js"></script>
<br />
<br />
<blockquote class="twitter-tweet" data-lang="it">
<div dir="ltr" lang="fr">
PIERRE BONNARD, L'Île heureuse<br />
publiés sur Tracce Cahiers d'Art n.18 <a href="https://t.co/KugKSHR7hx">https://t.co/KugKSHR7hx</a><br />
<br />
.<a href="https://twitter.com/MailTracce?ref_src=twsrc%5Etfw">@MailTracce</a> <a href="https://twitter.com/hashtag/TracceCahiersDart?src=hash&ref_src=twsrc%5Etfw">#TracceCahiersDart</a> <a href="https://t.co/uRyXQn4cR2">pic.twitter.com/uRyXQn4cR2</a></div>
— TRACCE CAHIERS D'ART (@MailTracce) <a href="https://twitter.com/MailTracce/status/1111764127633027073?ref_src=twsrc%5Etfw">29 marzo 2019</a></blockquote>
<script async="" charset="utf-8" src="https://platform.twitter.com/widgets.js"></script>
<br />
<br />
<blockquote class="twitter-tweet" data-lang="it">
<div dir="ltr" lang="fr">
PIERRE BONNARD, Affiche pour la Revue blanche<br />
1891 <a href="https://twitter.com/MuseeBonnard?ref_src=twsrc%5Etfw">@MuseeBonnard</a><br />
publié sur TRACCE CAHIERS D'ART N.18 <a href="https://t.co/KugKSHR7hx">https://t.co/KugKSHR7hx</a><br />
<br />
.<a href="https://twitter.com/MailTracce?ref_src=twsrc%5Etfw">@MailTracce</a> <a href="https://twitter.com/hashtag/TracceCahiersDart?src=hash&ref_src=twsrc%5Etfw">#TracceCahiersDart</a> <a href="https://t.co/niOLG9kw4e">pic.twitter.com/niOLG9kw4e</a></div>
— TRACCE CAHIERS D'ART (@MailTracce) <a href="https://twitter.com/MailTracce/status/1111762391379992576?ref_src=twsrc%5Etfw">29 marzo 2019</a></blockquote>
<script async="" charset="utf-8" src="https://platform.twitter.com/widgets.js"></script>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-45847554325114885142019-03-28T02:14:00.000+01:002019-04-03T00:15:53.564+02:00DE CHIRICO E SAVINIO. Una mitologia moderna. Mostra alla Fondazione Magnani Rocca di Mamiano di Traversetolo (Parma)<blockquote class="twitter-tweet" data-lang="it">
<div dir="ltr" lang="it">
16 marzo - 30 giugno 2019<br />
alla Fondazione <a href="https://twitter.com/MagnaniRocca?ref_src=twsrc%5Etfw">@MagnaniRocca</a> di Mamiano di Traversetolo (Parma)<br />
La mostra: DE CHIRICO E SAVINIO. Una mitologia moderna<br />
Nelle foto:<br />
Giorgio de Chirico, Le consolateur, 1929<br />
Alberto Savinio, Annunciazione, 1932<br />
ufficio stampa: <a href="https://twitter.com/studioesseci?ref_src=twsrc%5Etfw">@studioesseci</a> <a href="https://t.co/a9Z6lPYXVv">pic.twitter.com/a9Z6lPYXVv</a></div>
— TRACCE CAHIERS D'ART (@MailTracce) <a href="https://twitter.com/MailTracce/status/1111406213214793733?ref_src=twsrc%5Etfw">28 marzo 2019</a></blockquote>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Dal 16 marzo al 30 giugno 2019 la Fondazione Magnani-Rocca </span><a href="http://www.magnanirocca.it/" style="font-family: Arial, Helvetica, sans-serif;">http://www.magnanirocca.it</a><span style="font-family: "arial" , "helvetica" , sans-serif;"> ospita una grande mostra dedicata a Giorgio de Chirico e Alberto Savinio, i «Dioscuri» dell’arte del XX secolo. I due fratelli hanno ripensato il mito, l’antico, la tradizione classica attraverso la modernità dell’avanguardia e della citazione, traslandoli e reinterpretandoli per tentare di rispondere ai grandi enigmi dell’uomo contemporaneo, dando vita a quella che Breton definì una vera e propria mitologia moderna.</span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">La mostra – allestita alla Villa dei Capolavori, sede della Fondazione a Mamiano di Traversetolo presso Parma – presenta oltre centotrenta opere tra celebri dipinti e sorprendenti lavori grafici, in un percorso espositivo che, dalla nascita dell’avventura metafisica, si focalizza su un moderno ripensamento della mitologia e giunge alla ricchissima produzione per il teatro, documentata anche da preziosi bozzetti, figurini e costumi per l’opera lirica del Teatro alla Scala di Milano.</span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">L’esposizione – curata da Alice Ensabella, Università di Grenoble, e da Stefano Roffi, direttore scientifico della Fondazione Magnani-Rocca – si propone di ricostruire criticamente le fonti comuni dei fratelli de Chirico al fine di metterne in evidenza affinità, contrasti e interpretazioni del fantastico universo che prende forma nelle loro traduzioni pittoriche, letterarie e teatrali.</span></div>
<script async="" charset="utf-8" src="https://platform.twitter.com/widgets.js"></script>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-77213209381831248702019-03-24T01:52:00.000+01:002019-03-30T01:55:00.316+01:00Sul sito di Beniamino Vizzini : IL TALISMANO DI PAUL SÉRUSIER • Le Talisman de Paul Sérusier<blockquote class="twitter-tweet" data-lang="it">
<div dir="ltr" lang="fr">
Sul sito di Beniamino Vizzini : IL TALISMANO DI PAUL SÉRUSIER<br />mostra "Le Talisman de Paul Sérusier. Une prophétie de la couleur"<br />al <a href="https://twitter.com/MuseeOrsay?ref_src=twsrc%5Etfw">@MuseeOrsay</a> di Parigi • Article ITALIAN / ENGLISH<br />TRACCE CAHIERS D'ART .<a href="https://twitter.com/MailTracce?ref_src=twsrc%5Etfw">@MailTracce</a> <a href="https://t.co/GQdziD4kI9">https://t.co/GQdziD4kI9</a></div>
— TRACCE CAHIERS D'ART (@MailTracce) <a href="https://twitter.com/MailTracce/status/1109592201431076865?ref_src=twsrc%5Etfw">23 marzo 2019</a></blockquote>
<script async="" charset="utf-8" src="https://platform.twitter.com/widgets.js"></script>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-12507735175857528392019-03-22T01:48:00.000+01:002019-03-30T01:50:09.206+01:00Abbonamento a TRACCE CAHIERS D'ART • Subscription to Tracce Cahiers d'Art art magazine <blockquote class="twitter-tweet" data-lang="it">
<div dir="ltr" lang="it">
RICEVI SUBITO IL PDF DELLA RIVISTA TRACCE CAHIERS D'ART<br />SCEGLI L'ABBONAMENTO ONLINE : Clicca qui<br />Subscription to Tracce Cahiers d'Art art magazine <a href="https://t.co/JljV31SPag">https://t.co/JljV31SPag</a></div>
— TRACCE CAHIERS D'ART (@MailTracce) <a href="https://twitter.com/MailTracce/status/1108878229966938113?ref_src=twsrc%5Etfw">21 marzo 2019</a></blockquote>
<script async="" charset="utf-8" src="https://platform.twitter.com/widgets.js"></script>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.comtag:blogger.com,1999:blog-5282242628728426620.post-34847904136874788542019-03-21T01:30:00.000+01:002019-03-30T01:41:06.751+01:00ROSA BONHEUR (Bordeaux, France 1822 - Thomery 1899) Palette d'Artiste • TAVOLOZZA D'ARTISTA<blockquote class="twitter-tweet" data-lang="it">
<div dir="ltr" lang="fr">
TAVOLOZZA D'ARTISTA • Palette d'Artiste de Tracce Cahiers d'Art<br />ROSA BONHEUR (Bordeaux, France 1822 - Thomery 1899)<br /><br />.<a href="https://twitter.com/MailTracce?ref_src=twsrc%5Etfw">@MailTracce</a> <a href="https://twitter.com/hashtag/Womenartists?src=hash&ref_src=twsrc%5Etfw">#Womenartists</a> <a href="https://twitter.com/hashtag/WomenHistoryMonth?src=hash&ref_src=twsrc%5Etfw">#WomenHistoryMonth</a> <a href="https://t.co/VAOovDlBGE">pic.twitter.com/VAOovDlBGE</a></div>
— TRACCE CAHIERS D'ART (@MailTracce) <a href="https://twitter.com/MailTracce/status/1108818494106288128?ref_src=twsrc%5Etfw">21 marzo 2019</a></blockquote>
<script async="" charset="utf-8" src="https://platform.twitter.com/widgets.js"></script>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-10445011374100287972019-03-12T02:27:00.000+01:002019-04-04T00:12:34.332+02:00LES NABIS ET LE DÉCOR. Bonnard, Vuillard, Maurice Denis Musée du Luxembourg, Paris • 13 Mars - 30 Juin 2019<blockquote class="twitter-tweet" data-lang="it">
<div dir="ltr" lang="fr">
.<a href="https://twitter.com/museeluxembourg?ref_src=twsrc%5Etfw">@museeluxembourg</a> <a href="https://twitter.com/hashtag/ExpoNabis?src=hash&ref_src=twsrc%5Etfw">#ExpoNabis</a><br />
Le Mostre scelte da Tracce Cahiers d'Art .<a href="https://twitter.com/MailTracce?ref_src=twsrc%5Etfw">@MailTracce</a><br />
LES NABIS ET LE DÉCOR<br />
BONNARD, VUILLARD, MAURICE DENIS...<br />
Musée du Luxembourg, Paris • 13 Mars - 30 Juin 2019 <a href="https://t.co/mx5gjF2asI">pic.twitter.com/mx5gjF2asI</a></div>
— TRACCE CAHIERS D'ART (@MailTracce) <a href="https://twitter.com/MailTracce/status/1105570015787581440?ref_src=twsrc%5Etfw">12 marzo 2019</a></blockquote>
<br />
<script async="" charset="utf-8" src="https://platform.twitter.com/widgets.js"></script>
<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="281" src="https://www.youtube.com/embed/IKx5TsW2NGs" width="500"></iframe>LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-12888844205063961022019-03-09T02:39:00.000+01:002019-03-30T02:44:50.044+01:00VINCENT VAN GOGH "Portrait d’une jeune femme (La Mousmé)" Exposition: "Cinq cents ans de dessins de maîtres du Musée Pouchkine" alla Fondazione Custodia di Parigi <blockquote class="twitter-tweet" data-lang="it">
<div dir="ltr" lang="fr">
MOSTRE scelte da Tracce Cahiers d'Art .<a href="https://twitter.com/MailTracce?ref_src=twsrc%5Etfw">@MailTracce</a><br />"Cinq cents ans de dessins de maîtres du Musée Pouchkine"<br />alla Fondazione Custodia di Parigi .<a href="https://twitter.com/FondCustodia?ref_src=twsrc%5Etfw">@FondCustodia</a><br />tra le opere in esposizione : <br />Vincent van Gogh "Portrait d’une jeune femme (La Mousmé)", 1888 <a href="https://t.co/OrzRm6Lrra">pic.twitter.com/OrzRm6Lrra</a></div>
— TRACCE CAHIERS D'ART (@MailTracce) <a href="https://twitter.com/MailTracce/status/1101564347254538241?ref_src=twsrc%5Etfw">1 marzo 2019</a></blockquote>
<script async="" charset="utf-8" src="https://platform.twitter.com/widgets.js"></script>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-20010457184473332222019-03-08T01:33:00.001+01:002019-03-08T01:33:46.422+01:00ALLE DONNE ARTISTE. Gli Amici di Tracce Cahiers d'Art • To the Women Artists. Friends of Tracce Cahiers d'Art<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqjq8Kovd73feb1nIuzEmwgwFZQSdR8LymvBP4kPdOzWHMMyDSmckX0f6uLXD0GKEtCKd4XpDniBR-572CjYsZNLgFn_Pdk3J6qpE4c515JsGdsZilN_DUQ_b5dw0Y2h0mKDCcfnKRU4k/s1600/8-marzo-2019-alle-donne-artiste-dimenticate-dalla-storia-marianna-montaruli-collage-2019-tracce-cahiers-d-art-rivista-d-arte.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqjq8Kovd73feb1nIuzEmwgwFZQSdR8LymvBP4kPdOzWHMMyDSmckX0f6uLXD0GKEtCKd4XpDniBR-572CjYsZNLgFn_Pdk3J6qpE4c515JsGdsZilN_DUQ_b5dw0Y2h0mKDCcfnKRU4k/s640/8-marzo-2019-alle-donne-artiste-dimenticate-dalla-storia-marianna-montaruli-collage-2019-tracce-cahiers-d-art-rivista-d-arte.jpg" /></a></div>
<br />
<div style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;">ALLE DONNE ARTISTE dimenticate dalla Storia • </span><span style="font-family: Arial, Helvetica, sans-serif;">To the Women Artists forgotten by the History</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;">8 Marzo 2019 • March 8, 2019 • <a href="https://www.facebook.com/MailTracce/?__tn__=K-R-R-R-R-R&eid=ARCnEX8zNRJcbBblrk4GCX5DzhH--KfEfcG0wB31r5C4sQqudMWDwkpkrlhqXjEHODoCyWat9ZBSB9xg&fref=mentions&__xts__%5B0%5D=68.ARAchh8GmuQWzEZPL1mq2BHoKj-wNksj6X_7NTqE0oPOM1ZiO5uKa735nCGASp64bvnZy-0-XYHnHyHf7jqa1KpHBkcD0onTadCm8eLlCONFXinmbyhOZ55En8JjDxIRGWFYVn-nuLX6cq4RUJSnfdCxrTM9Rr3insO9fTmFIMW1KHO3cjnr4aoUgt4">Tracce Cahiers d'Art</a> • </span><a href="https://www.facebook.com/EdizioniFeneon/?__tn__=K-R-R-R-R-R&eid=ARBQfwopKA-NF3GUhUfgIVM289f8huTbi7qIk9kipboNb7-IXE4VCcZPqjMucL-PFcdGbyEH7vElCUwO&fref=mentions&__xts__%5B0%5D=68.ARAchh8GmuQWzEZPL1mq2BHoKj-wNksj6X_7NTqE0oPOM1ZiO5uKa735nCGASp64bvnZy-0-XYHnHyHf7jqa1KpHBkcD0onTadCm8eLlCONFXinmbyhOZ55En8JjDxIRGWFYVn-nuLX6cq4RUJSnfdCxrTM9Rr3insO9fTmFIMW1KHO3cjnr4aoUgt4" style="font-family: Arial, Helvetica, sans-serif;">Edizioni d'arte Félix Fénéon</a><span style="font-family: Arial, Helvetica, sans-serif;"> • PhotoCollage by Marianna Montaruli, 2019</span></div>
<div style="text-align: justify;">
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-38267298676995561472019-02-06T01:49:00.001+01:002019-02-06T01:58:09.761+01:00Friends of Tracce Cahiers d'Art. OLEG FROLOV. Contemporary Artists • Gli Amici di Tracce Cahiers d'Art. La Pittura di Oleg Frolov<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPBubyYZb0qghUAUFS4c9F5rt7VTHkU_CEhqSFFYf1FubFpuR4TUzVhzJhd0DgWXi2_slp8FCfkNh68-UU0U9joL2G66NxC2QFcnXfCgo02Ji5fEzx4p0glq8LXWXt241m3OB63ps-obI/s1600/paintings-from-tracce-cahiers-d-art-art-magazine-oleg-frolov-russian-contemporary-artist-2019.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPBubyYZb0qghUAUFS4c9F5rt7VTHkU_CEhqSFFYf1FubFpuR4TUzVhzJhd0DgWXi2_slp8FCfkNh68-UU0U9joL2G66NxC2QFcnXfCgo02Ji5fEzx4p0glq8LXWXt241m3OB63ps-obI/s960/paintings-from-tracce-cahiers-d-art-art-magazine-oleg-frolov-russian-contemporary-artist-2019.jpg" /></a></div>
<br />
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">A Tracce Cahiers d'Art piace la pittura dell'artista russo OLEG FROLOV. In particolare, abbiamo scelto di mostrare agli Amici di Tracce Cahiers d'Art </span><span style="font-family: "arial" , "helvetica" , sans-serif;">quest'opera del 2006, un acrilico su tela di particolare forza e bellezza. Oleg è nato in Russia nel 1953 e vive in Kazan, Tatarstan. </span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Tracce Cahiers d'Art likes the painting of the artist OLEG FROLOV. In particular, we have chosen to show to the Friends of Tracce Cahiers d'Art this artwork of 2006, an acrylic on canvas of particular strength and beauty. Oleg was born in Russia in 1953 and lives in Kazan, Tatarstan.</span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">For more: </span></div>
<div style="text-align: justify;">
<a href="https://www.saatchiart.com/OlegFrolov%C2%A0"><span style="font-family: "arial" , "helvetica" , sans-serif;">https://www.saatchiart.com/OlegFrolov</span><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></a></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="http://www.picassomio.com/oleg-frolov/exhibition.html">http://www.picassomio.com/oleg-frolov/exhibition.html</a> </span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Oleg Frolov is on <a href="https://www.facebook.com/OlegFrolov27">Facebook</a></span><span style="font-family: "arial" , "helvetica" , sans-serif;"> and this is his <a href="https://www.facebook.com/OlegFrolov99/">Facebook Page</a></span></div>
<div style="text-align: justify;">
<br /></div>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-38066090309638643852018-11-29T00:38:00.000+01:002018-11-29T20:47:51.657+01:00Notizie per GLI AMICI DI TRACCE CAHIERS D'ART – La Collezione eBook d'Arte 2018 • News for FRIENDS OF TRACCE CAHIERS D'ART – Ebook Art Collection 2018<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://payhip.com/b/v2HO" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitH5W3lT5OGZn-SjgikikEifKpDs5iB0V26kWyB1UoKkEE6zZo_cdPxxSoAMvuWSdq-sEBU2TJs60qJpYJHD5higWNqdTCyKeL139LSfwtfOnmYztlnHBi8gNb7aApmI_WYxLrVtSGjTQ/s640/key-la-volpe-rosa-la-mascotte-di-tracce-cahiers-d-art-rivista-d-arte-ebook-art-collection-2018-buy-now-on-the-online-library-edizioni-d-arte-felix-feneon-by-marianna-montaruli-ebeniamino-vizzini-italy.jpg" /></a></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">KEY, LA VOLPE ROSA è la simpatica mascotte di Tracce Cahiers d'Art. Cerca la volpe e scopri la COLLEZIONE EBOOK D'ARTE 2018 della Rivista d'arte in vendita a € 12,50 sulla <a href="https://payhip.com/b/v2HO">LIBRERIA ONLINE</a>. Maggiori Informazioni su <a href="https://edizionidartefelixfeneon.blogspot.com/">TRACCE CAHIERS D'ART</a> sito ufficiale della Rivista. Saluti da Marianna Montaruli e Beniamino Vizzini. La Collezione è pubblicata dalle Edizioni d'arte Félix Fénéon • ITALIA.</span></div>
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>
<span style="font-family: "arial" , "helvetica" , sans-serif;">KEY, THE PINK FOX is the cute mascot of Tracce Cahiers d'Art. Look for the fox and discover the EBOOK ART COLLECTION 2018 of the art magazine for sale at € 12.50 on the </span><a href="https://payhip.com/b/v2HO" style="font-family: arial, helvetica, sans-serif;">ONLINE LIBRARY</a><span style="font-family: "arial" , "helvetica" , sans-serif;">. More informations on </span><a href="https://edizionidartefelixfeneon.blogspot.com/" style="font-family: arial, helvetica, sans-serif;">TRACCE CAHIERS D'ART</a> <span style="font-family: "arial" , "helvetica" , sans-serif;">official website. Greetings from Marianna Montaruli and Beniamino Vizzini. The Collection is published by Edizioni d'arte Félix Fénéon • ITALY.</span></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;">
</span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://payhip.com/b/v2HO" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: left;"><img border="0" data-original-height="1200" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs7TsDkO_ZBtY9QrxbVGBxHHfwdj9nWjHFbpRRLBINdLbWE7qVwOq0OxhBpbRq4SpDExUT-WXz4iUaFVTEtql3Fz4yfR4G3NLmdMfv5cxaL5kTYLhA7szeahIC4F-6BH93_D-5W43ZjBo/s960/ebook-art-collection-2018-of-tracce-cahiers-d-art-ebook-art-magazine-n.-27-n.-28-n.-29-publisher-edizioni-d-arte-felix-feneon-by-marianna-montaruli-and-beniamino-vizzini-italy.jpg" /></a></span></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;">
</span>
<br />
<div style="box-sizing: content-box; font-family: Georgia, Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18.200000762939453px; margin-left: 2em; margin-right: 2em; text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="box-sizing: content-box; color: #333333; font-size: 14pt; line-height: normal;"><span style="box-sizing: content-box; font-family: "arial" , "helvetica" , sans-serif; line-height: normal;"><br /></span></span>
<span style="box-sizing: content-box; color: #333333; font-size: 14pt; line-height: normal;"><span style="box-sizing: content-box; font-family: "arial" , "helvetica" , sans-serif; line-height: normal;"><br /></span></span>
<span style="box-sizing: content-box; color: #333333; font-size: 14pt; line-height: normal;"><span style="box-sizing: content-box; font-family: "arial" , "helvetica" , sans-serif; line-height: normal;"><br /></span></span>
<span style="box-sizing: content-box; color: #333333; font-size: 14pt; line-height: normal;"><span style="box-sizing: content-box; font-family: "arial" , "helvetica" , sans-serif; line-height: normal;"><br /></span></span></span></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;">
</span>
<br />
<div style="box-sizing: content-box; font-family: Georgia, Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18.200000762939453px; margin-left: 2em; margin-right: 2em; text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="box-sizing: content-box; color: #333333; font-size: 14pt; line-height: normal;"><span style="box-sizing: content-box; font-family: "arial" , "helvetica" , sans-serif; line-height: normal;"><br /></span></span></span></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;">
<br />
</span>LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-48216271894359737132018-10-01T18:23:00.000+02:002018-10-02T20:19:17.439+02:00GLI AMICI DI TRACCE CAHIERS D'ART – Marco Bussagli. Gli Etruschi e il Mediterraneo. La città di Cerveteri. Edizioni d'arte Félix Fénéon • FRIENDS OF TRACCE CAHIERS D'ART – Marco Bussagli. THE ETRUSCANS AND THE MEDITERRANEAN. The city of Cerveteri. Publisher Edizioni d'arte Félix Fénéon ITALY <div class="fb-like" data-action="like" data-href="https://gliamiciditracce.blogspot.com/2018/09/gli-amici-di-tracce-cahiers-dart-marco.html" data-layout="button_count" data-share="true" data-show-faces="true" data-size="large">
</div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://www.abebooks.it/servlet/BookDetailsPL?bi=14955346205&searchurl=kn%3Dedizioni%2Bd%2527arte%2Bfelix%2Bfeneon%26sortby%3D17&cm_sp=snippet-_-srp2-_-title6" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcroyl1A9cPTCDzACcgBmC6Xll3RDUmlLrUE7_wLXM-IRf8PHoy5iWdoj0lVPsfFE4A78MLfFDorzRsadhv3esWakhGIj0WrTQok3cmKxs3Y-VVTQcaMUoO1Q6cGPneDWPOMk52WQHY98/s960/gli-amici-di-tracce-cahiers-d-art-autunno-2018-edizione-cartella-portfolio-gli-etruschi-e-il-mediterraneo-con-saggio-critico-di-marco-bussagli-edizioni-d-arte-felix-feneon.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br />
GLI ETRUSCHI E IL MEDITERRANEO. LA CITTÀ DI CERVETERI<br />
Edizione d'arte con saggio critico del prof. Marco Bussagli<br />
Cartella stampata su carte pregiate delle Cartiere Fedrigoni, cm 32x23<br />
contiene 22 tavole a colori di reperti d'Arte Etrusca<br />
Editore: Tracce Cahiers d'Art - Edizioni d'arte Félix Fénéon 2014<br />
<a href="https://www.abebooks.it/servlet/BookDetailsPL?bi=14955346205&searchurl=kn%3Dedizioni%2Bd%2527arte%2Bfelix%2Bfeneon%26sortby%3D17&cm_sp=snippet-_-srp2-_-title6">EURO 35,00 ACQUISTA ORA su www.Abebook.it</a><br />
<br /></td></tr>
</tbody></table>
<br />
<div class="normal" style="text-align: justify;">
<span lang="UZ-CYR" style="font-size: 16.0pt; line-height: 115%; mso-bidi-font-size: 14.0pt;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span>
<span lang="UZ-CYR" style="font-size: 16.0pt; line-height: 115%; mso-bidi-font-size: 14.0pt;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Marco Bussagli, storico dell’arte e docente di
anatomia artistica all’Accademia delle Belle Arti di Roma, è un grande
estimatore e amico di <i style="mso-bidi-font-style: normal;">Tracce Cahiers
d’Art </i>che ha voluto, amabilmente, definire “una rivista d’arte di nicchia
ma di prestigio” e, con la quale ha più volte collaborato offrendo
generosamente l’apporto attivo e prezioso della sua sapienza
filologico-ermeneutica, con cui da sempre è solito proporre accurati e
raffinati interventi di Critica d’Arte. Tra i suoi libri più recenti ricordiamo
<i style="mso-bidi-font-style: normal;">Bosch </i>della Giunti Editore del 2016.</span></span></div>
<div class="normal" style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: 16pt;"><br /></span></div>
<div class="normal" style="text-align: justify;">
<div style="text-align: justify;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: 16pt;">Per le Edizioni d’Arte Félix Fénéon ci piace qui riportare all’attenzione
di tutti i nostri amici una pubblicazione del 2014 “Gli Etruschi e il
Mediterraneo. La città di Cerveteri” e per la quale Marco Bussagli ha scritto
un vivace saggio critico <i>Gli Etruschi fra mito e realtà</i></span><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: 16pt;">.</span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: 16pt;"><br /></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://www.abebooks.it/servlet/BookDetailsPL?bi=14955346205&searchurl=kn%3Dedizioni%2Bd%2527arte%2Bfelix%2Bfeneon%26sortby%3D17&cm_sp=snippet-_-srp2-_-title6" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="797" data-original-width="591" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhzyWFXS72j9bejmvGOwzkjXD7yFHDDP8HuJogUK1auVkzZnlEMOy-aTEhOWDi_0MVJrfslyN-NlJ3sgs5af0ORQBm954c4YfpTM31snQcsAIKsc6GLemQyQS-Gu8aXblKENVWiYBCPxQ/s520/gli-etruschi-e-il-mediterraneo-la-citta-di-cerveteri-con-saggio-critico-di-marco-bussagli-edizioni-d-arte-felix-feneon-cartella-allegata-a-tracce-cahiers-d-art-rivista-d-arte-abebooks-gli-amici-di-tracce-cahiers-d-art-autunno-2018.jpeg" /></a><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: 16pt;"></span></span></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: 16pt;">Si tratta di una cartella
stampata su carta pregiata delle Cartiere Fedrigoni contenente 22 tavole a
colori di reperti d’arte etrusca oggi distribuiti tra i grandi musei del mondo,
dal Louvre di Parigi, all’Antikensammlung di Berlino, al Museo di Villa Giulia
a Roma, al Museo Nazionale Cerite di Cerveteri, ai Musées Royaux d’art et
d’histoire di Bruxelles. La cartella ospita una presenta-zione in brossura con
il saggio critico del prof. Marco Bussagli e, attualmente, può essere richiesta
o dalla nostra <a href="https://www.abebooks.it/servlet/BookDetailsPL?bi=14955346205&searchurl=kn%3Dedizioni%2Bd%2527arte%2Bfelix%2Bfeneon%26sortby%3D17&cm_sp=snippet-_-srp2-_-title6">libreria online su www.abebooks.it</a> o, direttamente su ordinazione qui dal
nostro sito, inviando una email a: <a href="mailto:mail.tracce@libero.it">mail.tracce@libero.it</a></span></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: 16pt;"><br /></span>
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: 16pt;">Dal testo di Marco Bussagli </span><i style="font-family: arial, helvetica, sans-serif; font-size: 16pt;">Gli Etruschi fra mito e realtà</i><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: 16pt;">:</span><br />
<!--[if gte mso 9]><xml>
<o:DocumentProperties>
<o:Template>Normal.dotm</o:Template>
<o:Revision>0</o:Revision>
<o:TotalTime>0</o:TotalTime>
<o:Pages>1</o:Pages>
<o:Words>63</o:Words>
<o:Characters>363</o:Characters>
<o:Company>Edizioni d'arte Félix Fénéon</o:Company>
<o:Lines>3</o:Lines>
<o:Paragraphs>1</o:Paragraphs>
<o:CharactersWithSpaces>445</o:CharactersWithSpaces>
<o:Version>12.0</o:Version>
</o:DocumentProperties>
<o:OfficeDocumentSettings>
<o:AllowPNG/>
</o:OfficeDocumentSettings>
</xml><![endif]--><!--[if gte mso 9]><xml>
<w:WordDocument>
<w:Zoom>0</w:Zoom>
<w:TrackMoves>false</w:TrackMoves>
<w:TrackFormatting/>
<w:HyphenationZone>14</w:HyphenationZone>
<w:PunctuationKerning/>
<w:DrawingGridHorizontalSpacing>18 pt</w:DrawingGridHorizontalSpacing>
<w:DrawingGridVerticalSpacing>18 pt</w:DrawingGridVerticalSpacing>
<w:DisplayHorizontalDrawingGridEvery>0</w:DisplayHorizontalDrawingGridEvery>
<w:DisplayVerticalDrawingGridEvery>0</w:DisplayVerticalDrawingGridEvery>
<w:ValidateAgainstSchemas/>
<w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid>
<w:IgnoreMixedContent>false</w:IgnoreMixedContent>
<w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText>
<w:Compatibility>
<w:BreakWrappedTables/>
<w:DontGrowAutofit/>
<w:DontAutofitConstrainedTables/>
<w:DontVertAlignInTxbx/>
</w:Compatibility>
</w:WordDocument>
</xml><![endif]--><!--[if gte mso 9]><xml>
<w:LatentStyles DefLockedState="false" LatentStyleCount="276">
</w:LatentStyles>
</xml><![endif]-->
<!--[if gte mso 10]>
<style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Tabella normale";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-parent:"";
mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
mso-para-margin:0cm;
mso-para-margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Times New Roman";
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"Times New Roman";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}
</style>
<![endif]-->
<!--StartFragment-->
<br />
<div class="normal">
<span lang="UZ-CYR" style="font-size: 16.0pt; line-height: 115%; mso-bidi-font-size: 14.0pt;"><span style="font-family: "arial" , "helvetica" , sans-serif;">“<i>Qui sorrise l’etrusco</i> scriveva Vincenzo Cardarelli nel suo ‘Terra
genitrice’, pubblicato a Roma nel 1924 quando occuparsi di quel tema assumeva
un valore rivoluzionario, giacché in quel periodo si guardava piuttosto alla
romanità, come valore assoluto e paradigma della Storia. Così per Cardarelli il
sorriso dell’Apollo di Veio, scoperto…”<o:p></o:p></span></span></div>
<span style="font-size: 16pt;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://www.abebooks.it/servlet/BookDetailsPL?bi=14955346205&searchurl=kn%3Dedizioni%2Bd%2527arte%2Bfelix%2Bfeneon%26sortby%3D17&cm_sp=snippet-_-srp2-_-title6">Acquistalo per continuare a leggere</a></span></span><br />
<span style="font-size: 16pt;"><br /></span>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://www.abebooks.com/servlet/BookDetailsPL?bi=14955346205&searchurl=bi%3D0%26ds%3D30%26sortby%3D17%26tn%3Detruschi%26vci%3D55087518&cm_sp=snippet-_-srp1-_-title1" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1200" data-original-width="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1H0C4-p-mn4NwtydXXk96hQJUiD8Lna8ysKe1-Xuz4UklYAckOVbvA89PzdtVlS_JKxSsuD7mliTAV7eHOOgMt6_2Gl4JEtt6wCne91qve3Y2XDaPhiyuYd7Zr_rjwKrkw_53u0S11Ec/s960/friends-of-tracce-cahiers-d-art-art-magazine-autumn-2018-published-the-art-edition-the-etruscans-and-the-mediterranean-with-an-essay-of-prof-marco-bussagli-publisher-edizioni-d-arte-felix-feneon-italy.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br />
THE ETRUSCANS AND THE MEDITERRANEAN. THE CITY OF CERVETERI<br />
Art edition with an essay written by prof. Marco Bussagli. Language: Italian<br />
The folder printed on fine paper, cm 32x23, contains 22 color plates<br />
Publisher: Tracce Cahiers d'Art - Edizioni d'arte Félix Fénéon 2014 Italy<br />
<a href="https://www.abebooks.com/servlet/BookDetailsPL?bi=14955346205&searchurl=tn%3Dtracce%2Bcahiers%2Bd%2527art%26sortby%3D17&cm_sp=snippet-_-srp1-_-title28">EUR 35,00 BUY NOW on www.abebooks.com</a><br />
<br /></td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: 16pt;"><span style="font-family: "arial" , "helvetica" , sans-serif;"></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "arial"; font-size: 16pt;">ENGLISH • Marco Bussagli, art historian and
professor of artistic anatomy at the Academy of Fine Arts in Rome, is a great
admirer and friend of </span><i style="font-family: Arial; font-size: 16pt;">Tracce</i><span style="font-family: "arial"; font-size: 16pt;"> </span><i style="font-family: Arial; font-size: 16pt;">Cahiers d'Art</i><span style="font-family: "arial"; font-size: 16pt;"> which </span><span style="font-family: "arial"; font-size: 16pt;">he wanted, amiably, to define
"a niche magazine, but of prestige". With us he has repeatedly
collaborated generously offering the active and precious contribution of his
philological-hermeneutical knowledge, with which he has always used to propose
accurate and refined Art Criticism interventions. Among his most recent books, we remember "Bosch" by Giunti Editore 2016.</span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "arial"; font-size: 16.0pt;">For the publisher Edizioni d'arte Félix Fénéon - Italy 2014, we like here to bring to the attention of all our friends the art edition "The Etruscans and the Mediterranean. The city of Cerveteri" and for which the prof. Marco Bussagli wrote a lively critical essay in Italian, <i>The Etruscans between myth
and reality.</i><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "arial"; font-size: 16.0pt;">This is a folder printed on fine
paper by the Fedrigoni Cartiere containing 22 color plates of Etruscan
artefacts now distributed among the great museums of the world, from the Louvre
in Paris, to the Antikensammlung in Berlin, to the Museum of Villa Giulia in
Rome, at the National Cerite Museum in Cerveteri, at the Musées Royaux d'art
et d'histoire in Brussels. The folder hosts a paperback presentation with the
critical essay written by prof. Marco Bussagli and, currently, it can be requested
either from <a href="https://www.abebooks.com/servlet/BookDetailsPL?bi=14955346205&searchurl=tn%3Dtracce%2Bcahiers%2Bd%2527art%26sortby%3D17&cm_sp=snippet-_-srp1-_-title28">our online library on www.abebooks.com</a> or, directly order here from our
website, sending us an email at: <a href="mailto:mail.tracce@libero.it">mail.tracce@libero.it</a><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "arial"; font-size: 16.0pt;">From the essay written in Italian by prof. Marco Bussagli
<i>The Etruscans between myth and reality </i>:<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "arial"; font-size: 16.0pt;">"<i>Here he smiled the Etruscan</i>
wrote the poet Vincenzo Cardarelli in his 'Terra Genitrice', published in Rome in 1924
when taking care of that theme assumed a revolutionary value, since at that
time it looked rather to Romanity, as an absolute value and paradigm of History. So for Cardarelli, the smile of the Apollo of Veio, discovered..."<o:p></o:p></span></div>
<div class="separator" style="clear: both; text-align: justify;">
<!--[if gte mso 9]><xml>
<o:DocumentProperties>
<o:Template>Normal.dotm</o:Template>
<o:Revision>0</o:Revision>
<o:TotalTime>0</o:TotalTime>
<o:Pages>1</o:Pages>
<o:Words>261</o:Words>
<o:Characters>1488</o:Characters>
<o:Company>Edizioni d'arte Félix Fénéon</o:Company>
<o:Lines>12</o:Lines>
<o:Paragraphs>2</o:Paragraphs>
<o:CharactersWithSpaces>1827</o:CharactersWithSpaces>
<o:Version>12.0</o:Version>
</o:DocumentProperties>
<o:OfficeDocumentSettings>
<o:AllowPNG/>
</o:OfficeDocumentSettings>
</xml><![endif]--><!--[if gte mso 9]><xml>
<w:WordDocument>
<w:Zoom>0</w:Zoom>
<w:TrackMoves>false</w:TrackMoves>
<w:TrackFormatting/>
<w:HyphenationZone>14</w:HyphenationZone>
<w:PunctuationKerning/>
<w:DrawingGridHorizontalSpacing>18 pt</w:DrawingGridHorizontalSpacing>
<w:DrawingGridVerticalSpacing>18 pt</w:DrawingGridVerticalSpacing>
<w:DisplayHorizontalDrawingGridEvery>0</w:DisplayHorizontalDrawingGridEvery>
<w:DisplayVerticalDrawingGridEvery>0</w:DisplayVerticalDrawingGridEvery>
<w:ValidateAgainstSchemas/>
<w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid>
<w:IgnoreMixedContent>false</w:IgnoreMixedContent>
<w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText>
<w:Compatibility>
<w:BreakWrappedTables/>
<w:DontGrowAutofit/>
<w:DontAutofitConstrainedTables/>
<w:DontVertAlignInTxbx/>
</w:Compatibility>
</w:WordDocument>
</xml><![endif]--><!--[if gte mso 9]><xml>
<w:LatentStyles DefLockedState="false" LatentStyleCount="276">
</w:LatentStyles>
</xml><![endif]-->
<!--[if gte mso 10]>
<style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Tabella normale";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-parent:"";
mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
mso-para-margin:0cm;
mso-para-margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:"Times New Roman";
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-fareast-font-family:"Times New Roman";
mso-fareast-theme-font:minor-fareast;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;
mso-bidi-font-family:"Times New Roman";
mso-bidi-theme-font:minor-bidi;}
</style>
<![endif]-->
<!--StartFragment-->
<!--EndFragment--></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "arial"; font-size: 16.0pt;"><a href="https://www.abebooks.com/servlet/BookDetailsPL?bi=14955346205&searchurl=tn%3Dtracce%2Bcahiers%2Bd%2527art%26sortby%3D17&cm_sp=snippet-_-srp1-_-title28">BUY NOW the art edition</a><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "arial"; font-size: 16.0pt;"><br /></span></div>
<!--EndFragment--></div>
<div id="fb-root">
</div>
<script>(function(d, s, id) {
var js, fjs = d.getElementsByTagName(s)[0];
if (d.getElementById(id)) return;
js = d.createElement(s); js.id = id;
js.src = 'https://connect.facebook.net/it_IT/sdk.js#xfbml=1&version=v3.1';
fjs.parentNode.insertBefore(js, fjs);
}(document, 'script', 'facebook-jssdk'));</script>LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998tag:blogger.com,1999:blog-5282242628728426620.post-90006805709919884702018-09-10T20:54:00.001+02:002018-09-13T00:18:43.988+02:00GLI AMICI DI TRACCE CAHIERS D'ART – Emilio Isgrò "Godete e moltiplicatevi" • FRIENDS OF TRACCE CAHIERS D'ART – Emilio Isgrò "Enjoy and multiply". Italian / English<div class="fb-like" data-action="like" data-href="https://gliamiciditracce.blogspot.com/2018/09/gli-amici-di-tracce-cahiers-dart-emilio.html" data-layout="button_count" data-share="true" data-show-faces="false" data-size="large">
</div>
<div style="text-align: left;">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVerC_cGdSHRmUjAw969WKS5yUD7DpaD7GXfgp6CFBBfqmQ9u3DoJ7cq_pPxV6ul8Udtz8lLqwMyNGLfSWlwW79mmAzgh7xB-mctVPC6UX7hzNTQCmjJd7iiR-_GKUPnF2hsLXq-YdV1U/s1600/gli-amici-di-tracce-cahiers-d-art-settembre+2018-emilio-isgro-godete-e-moltiplicatevi-da-tracce-cahiers-d-art-rivista-d-arte-n-15-friends-of-tracce-cahiers-d-art-art-magazine-september-2018-words-of-the-artists.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1080" data-original-width="1080" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVerC_cGdSHRmUjAw969WKS5yUD7DpaD7GXfgp6CFBBfqmQ9u3DoJ7cq_pPxV6ul8Udtz8lLqwMyNGLfSWlwW79mmAzgh7xB-mctVPC6UX7hzNTQCmjJd7iiR-_GKUPnF2hsLXq-YdV1U/s390/gli-amici-di-tracce-cahiers-d-art-settembre+2018-emilio-isgro-godete-e-moltiplicatevi-da-tracce-cahiers-d-art-rivista-d-arte-n-15-friends-of-tracce-cahiers-d-art-art-magazine-september-2018-words-of-the-artists.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Emilio Isgrò durante la 54a Biennale di Venezia<br />
scrisse nel giugno 2011 questo testo che pubblicammo<br />
su TRACCE CAHIERS D'ART Rivista d'Arte n.15<br />
e che qui riproponiamo per la sua attualità</td></tr>
</tbody></table>
</div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16pt;">GODETE E MOLTIPLICATEVI</span><br />
<span style="font-family: "arial"; font-size: 16pt;"><br /></span>
<span style="font-family: "arial"; font-size: 16pt;">di Emilio Isgrò</span></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">Il mondo
dell’arte somiglia sempre di più al mondo del calcio mercato, con la vecchia
Nomenklatura sovietica allargata a una Nomenklatura planetaria che (non per
caso) vede in prima fila gli eredi mutanti di Breznev, cioè quei ricconi russi
che oggi si accompagnano volentieri ai nuovi adepti arabi o cinesi, oltre che
ai soliti americani. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">È proprio
questa Nomenklatura petrolifera, culturalmente un po’ naïve, a dettare le
regole del gusto e del gioco, acquistando le merci scintillanti della Parart
Globale con la stessa abnegazione ideologica con la quale un tempo acquistava i
prodotti del Realismo Socialista.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">Un tempo la
statua d’oro di Stalin, oggi il teschio tempestato di diamanti; e questo
indipendentemente dal valore estetico dell’opera in sé, che a volte, anche se
raramente, può persino esserci, nonostante gli artisti siano costretti a una
logorante esibizione di muscoli per dimostrare ai loro inesperti, mal consigliati
compratori che ce l’hanno più lungo degli altri.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">Al
confronto, i vecchi petrolieri del Texas, che collezionavano Oldenburg o Warhol
per darsi uno statuto culturale accettabile, fanno una certa tenerezza, quasi
fossero vittime di quella sindrome puritana che di tanto in tanto riaffiora dal
fondo dell’America.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">Dell’Europa,
invece, è meglio non parlare. Come sempre fa la figura della vecchia zia
turbata, capace soltanto di dire: “Io ve l’avevo detto”. Ma alla fine, povera,
si accoda anche lei, chiaramente inadatta a sopravvivere in tempi così calamitosi.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">Credo che
una nozione di “artisticità” generica e diffusa abbia sostituito l’”arte“ come
idea forte e fondante delle identità umane. Basta fare la faccia da artisti per
impressionare l’universo sbadato, mentre i veri artisti, si sa, preferiscono
vestire da professori o da ragionieri, e qualche volta anche da gelatai. Mai da
artisti, mai da chierici consacrati.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">Fatto sta
che si lavora per il pubblico (oltre tutto un pubblico con evidenti limiti
culturali) e mai per se stessi. Ma l’artista che lavora unicamente per i propri
destinatari, e mai per se stesso, è come l’amante che grufola e suda per
soddisfare il partner nel gioco d’amore, con il risultato che alla fine non
gode lui e non gode lei. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">Il piacere
dell’arte e della scrittura non può essere soltanto di chi la fruisce, ma
anche, se non soprattutto, dell’artista che la pratica in prima persona.
Altrimenti sarà un coito ininterrotto, disperato: se io non godo, non godi
nemmeno tu.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">Neppure i
cardellini cantano per il piacere esclusivo degli uomini. E tuttavia non è una
sorte ineluttabile: basta una spallata, anzi una spallatina… </span><span style="font-family: "arial"; font-size: 16pt;">Godete,
artisti. Godete, angeli. Godete e moltiplicatevi.</span></div>
<div class="MsoNormal">
<div style="text-align: left;">
<span style="font-family: "arial"; font-size: 16pt;"><br /></span>
<span style="font-family: "arial"; font-size: 16pt;">Emilio Isgrò</span><span style="font-family: "arial"; font-size: 16pt;">, giugno 2011, durante la 54a Biennale di Venezia</span></div>
</div>
<div class="MsoNormal">
<div style="text-align: left;">
<span style="font-family: "arial"; font-size: 16pt;">pubblicato sulle pagine della Rivista <a href="https://www.abebooks.it/prima-edizione/TRACCE-CAHIERS-DART-N.15-2011-Rivista/9072031145/bd">Tracce Cahiers d'Art n.15</a>.</span></div>
<span style="font-family: "arial"; font-size: 16pt;"><i><br /></i></span>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEu8oqd5lwiwv-Fapkrpe70B86pGsZLYfTj7leT9QugSu9p_w-7Dmzx-RiLBFyJtVdyVxdzUwmaFKjZ8JxvIFsIcwzewvQqc6xtWnti1HQpV9KBq7TMc-A9sebUr-KTLNrGurRg1ytzao/s1600/gli-amici-di-tracce-cahiers-d-art-rivista-d-arte-settembre-2018-mostra-lettere-casa-museo-centro-studi-osvaldo-licini-comune-di-monte-vidon-corrado-marche-friends-of-tracce-cahiers-d-art-art-magazine-italian-exhibitions-september-2018.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1080" data-original-width="1080" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEu8oqd5lwiwv-Fapkrpe70B86pGsZLYfTj7leT9QugSu9p_w-7Dmzx-RiLBFyJtVdyVxdzUwmaFKjZ8JxvIFsIcwzewvQqc6xtWnti1HQpV9KBq7TMc-A9sebUr-KTLNrGurRg1ytzao/s640/gli-amici-di-tracce-cahiers-d-art-rivista-d-arte-settembre-2018-mostra-lettere-casa-museo-centro-studi-osvaldo-licini-comune-di-monte-vidon-corrado-marche-friends-of-tracce-cahiers-d-art-art-magazine-italian-exhibitions-september-2018.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br />
EMILIO ISGRÒ espone alla <a href="http://www.centrostudiosvaldolicini.it/it/">Casa Museo Centro Studi Osvaldo Licini</a><br />
di Monte Vidon Corrado, in provincia di Fermo, nelle Marche<br />
LETTERE è il titolo della mostra a cura di Marco Bazzini e Daniela Simoni.<br />
In collaborazione con Archivio Emilio Isgrò di Milano.<br />
In mostra opere dallo <a href="http://www.guastalla.com/it">Studio Guastalla</a>. Fino al 4 Novembre 2018<br />
<br /></td></tr>
</tbody></table>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16pt;"><br /></span>
<span style="font-family: "arial"; font-size: 16pt;">ENJOY AND MULTIPLY</span><br />
<span style="font-family: "arial"; font-size: 16pt;">written by Emilio Isgrò*</span></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">The world of art is more and more like the world of football
market, with the old Soviet Nomenklatura enlarged to a planetary Nomenklatura
which (not by chance) sees Breznev's mutant heirs in the first row, that is,
those Russian riches willingly accompanying today to new Arab or Chinese adepts,
as well as the usual Americans.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">It is this Nomenklatura of oil, culturally a bit naïve,
to dictate the rules of taste and play, buying the glittering goods of the
Global Parart with the same ideological abnegation with which it once bought
the products of Socialist Realism.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">Once the golden statue of Stalin, today the diamond-studded
skull; and this regardless of the aesthetic value of the work itself, which
sometimes, even if rarely, may even be there, despite the artists being forced
to a wearisome muscle-building to prove to their inexperienced, ill-advised
buyers that they have it longer than others.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">By comparison, the old Texas oilmen, who collected Oldenburg
or Warhol to give themselves an acceptable cultural status, gave a certain
tenderness, almost as if they were victims of that Puritan syndrome that from
time to time emerges from the bottom of America.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">On the other hand, it is better not to talk about Europe. As
always it does the figure of the old troubled aunt, only able to say: "I
told you so". But in the end, poor, she too is queued, clearly not
suitable for surviving in such calamitous times.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">I believe that a generic and widespread notion of
"artisticism" has replaced "art" as a strong and
fundamental idea of human identities. Just make the face of artists to impress
the careless universe, while true artists, you know, prefer to dress as
professors or accountants, and sometimes even ice-cream men. Never by artists, never
by consecrated clerics.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">The fact is that they work for the public (over all a public
with obvious cultural limitations) and never for themselves. But the artist who
works only for his recipients, and never for himself, is like the lover who
crumples and sweats to satisfy the partner in the game of love, with the result
that in the end he does not enjoy and does not enjoy her.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">The pleasure of art and writing can not only be enjoyed by
the user, but also, if not above all, by the artist who practices it in the
first person. Otherwise it will be an uninterrupted, hopeless coitus: if I do
not enjoy, you do not enjoy either.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">Even the goldfinches do not sing for the exclusive pleasure
of men. And yet it is not an ineluctable fate: just a shoulder, or rather a
shoulder... Enjoy, artists. Enjoy, angels. Enjoy and multiply.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">* </span><span style="font-family: "arial"; font-size: 16pt;">Written by the italian artist and poet Emilio Isgrò in
Venice, Juin 2011, during the fifty-fourth Venice Biennale.</span></div>
<div class="MsoNormal">
<span style="font-family: "arial"; font-size: 16.0pt;">This text has already been published on the pages of <span id="goog_1991948512"></span><a href="https://www.abebooks.it/prima-edizione/TRACCE-CAHIERS-DART-N.15-2011-Rivista/9072031145/bd">Tracce Cahiers d’Art art magazine n.15</a><span id="goog_1991948513"></span> and now it has been re-proposed by us to the Friends of Tracce
Cahiers d’Art for its relevance.</span></div>
<div class="MsoNormal">
<br /></div>
</div>
<div id="fb-root">
</div>
<script>(function(d, s, id) {
var js, fjs = d.getElementsByTagName(s)[0];
if (d.getElementById(id)) return;
js = d.createElement(s); js.id = id;
js.src = 'https://connect.facebook.net/it_IT/sdk.js#xfbml=1&version=v3.1';
fjs.parentNode.insertBefore(js, fjs);
}(document, 'script', 'facebook-jssdk'));</script>
LIBERE CORRISPONDENZE D'ARTEhttp://www.blogger.com/profile/02611307566440232483noreply@blogger.com70037 Ruvo di Puglia BA, Italia41.1172905 16.48372519999998141.093365500000004 16.443384699999982 41.1412155 16.52406569999998