Cari Amci di TRACCE CAHIERS D'ART Vi invitiamo a visitare la mostra: GIAPPONISMO. VENTI D'ORIENTE NELL'ARTE EUROPEA 1860-1915. Dal 28 Settembre 2019 al 26 Gennaio 2020 a Palazzo Roverella, Rovigo. L'esposizione è curata da Francesco Parisi.
Sul N.31 Autunno 2019 di TRACCE CAHIERS D'ART trovate alle pagine 8-20 un servizio, con tante opere esposte in mostra: Anselmo Bucci La giapponese (il Kimono) 1919, Jules Chéret Maîtres Japonais 1900 circa, Edgard Degas Femme se coiffant 1894 circa, Giuseppe De Nittis Fra i paraventi, Paul Gauguin Fête Gloanec 1888, Utagawa Hiroshige Trentasei celebri vedute del Fuji, Cinquantatrè stazioni del Tokaido, Claude Monet Passerella a Zaandam 1871, Carl Moser Pavone con quattro ciliegie 1929, Kolo Moser Albero in fiore 1911, Emil Orlik Paesaggio con il monte Fuji 1908, Rudolf Schlattauer, Paravento 1910, Henri de Toulouse-Lautrec Reine de Joie 1892.
Scrive Beniamino Vizzini nell'editoriale della Rivista: "...Sotto l’influsso della tecnica giapponese dell’Ukiyo-e anche l’arte europea, abbandonando la razionalità prospettica, finirà per riprodurre l’immagine moderna del mondo come “immagine del mondo fluttuante” o, di un mondo composto solo di luce e colore".
⚫️ENGLISH
On TRACCE CAHIERS D'ART art magazine N.31 Autumne 2019 we published many pages on: JAPONISM. WINDS OF THE EAST IN EUROPEAN ART 1860-1915. The exhibition at Palazzo Roverella in Rovigo - ITALY. From September 28, 2019 to January 26, 2020.
The Japanese fashion, which exploded around 1860 was destined to last at least fifty years, first involving the rich international bourgeoisie, but above all two entire generations of artists, writers, musicians and architects, finding more and more force with the grafting of the emerging liberty culture and modernist increasingly attentive to the decorative and rigorous values of Japanese art.
A powerful wind of renewal, if not really a hurricane, that from the East invested models, habits stratified over the centuries, leading the art of the old continent towards new and more essential compositive norms made of synthesis and luminous colors. The cut chosen to describe this effervescent page of European and world art history is decidedly original, mapping, for the first time, the Japanese tendencies of Europe in the nineteenth and twentieth centuries: from Germany to Holland to Belgium, from France to Austria, in Bohemia, up to Italy.
Greetings
Marianna Montaruli and Beniamino Vizzini - Edizioni d'arte Fénéon ITALY
Scrive Beniamino Vizzini nell'editoriale della Rivista: "...Sotto l’influsso della tecnica giapponese dell’Ukiyo-e anche l’arte europea, abbandonando la razionalità prospettica, finirà per riprodurre l’immagine moderna del mondo come “immagine del mondo fluttuante” o, di un mondo composto solo di luce e colore".
⚫️ENGLISH
On TRACCE CAHIERS D'ART art magazine N.31 Autumne 2019 we published many pages on: JAPONISM. WINDS OF THE EAST IN EUROPEAN ART 1860-1915. The exhibition at Palazzo Roverella in Rovigo - ITALY. From September 28, 2019 to January 26, 2020.
The Japanese fashion, which exploded around 1860 was destined to last at least fifty years, first involving the rich international bourgeoisie, but above all two entire generations of artists, writers, musicians and architects, finding more and more force with the grafting of the emerging liberty culture and modernist increasingly attentive to the decorative and rigorous values of Japanese art.
A powerful wind of renewal, if not really a hurricane, that from the East invested models, habits stratified over the centuries, leading the art of the old continent towards new and more essential compositive norms made of synthesis and luminous colors. The cut chosen to describe this effervescent page of European and world art history is decidedly original, mapping, for the first time, the Japanese tendencies of Europe in the nineteenth and twentieth centuries: from Germany to Holland to Belgium, from France to Austria, in Bohemia, up to Italy.
Greetings
Marianna Montaruli and Beniamino Vizzini - Edizioni d'arte Fénéon ITALY
